Campbell, Dario Argento's Phenomena (1985) - A Psychoanalytic Perspective on the 'Horror Film' Genre and Adolescent Development. Schneider, Notes on the Relevance of Psychoanalytic Theory to Euro-horror Cinema. Diamond, Itsván Szabo's Sunshine (1999) - The Cinematic Representation of Historical and Familial Trauma. Pedrón de Martín, Thomas Vinterberg's Festen (1998) - An Attempt to Avoid Madness Through Denunciation. Annegret Mahler-Bungers, A Post-postmodern Walkyrie - Psychoanalytic Considerations on Tom Tykwer's Run, Lola, Run (1999). Sekoff, Witness and Persecution in two Short Films: Miguel Sapochnik's The Dreamer (2001) and Lindy Heymann's Kissing Buba (2001). Moretti, Golinelli, Bolognini, Sabbadini, Sons and Fathers: A Room of their Own - Nanni Moretti's The Son's Room (2001).
Christie, Stevenson, Taylor Robinson, One in the Eye From Sam - Samuel Beckett's Film (1964) and his Contribution to our Vision in Theatre, Cinema and Psychoanalysis. Bertolucci, Shaw, Mawson, The Inner and Outer Worlds of the Filmmaker's Temporary Social Structure. The cultural richness of the material presented, combined with the originality of multidisciplinary dialogues on European cinema, makes this book appealing not only to film buffs, but also to professionals, academics and students interested in the application of psychoanalytic ideas to the arts. transcripts of live debates among film directors including Bernardo Bertolucci, actors, critics and psychoanalysts discussing films.essays on specific subjects such as perspectives on the horror film genre and adolescent development.easily readable and jargon-free film reviews.The book is organised into four clear sections - Set and Stage, Working Through Trauma, Horror Perspectives and Documenting Internal Worlds - which form the basis for engaging chapters including: The Couch and the Silver Screen is illustrated with stills throughout and Andrea Sabbadini's introduction provides a theoretical and historical context for the current state of psychoanalytic studies of films. This composite approach offers a fascinating insight into the world of cinema. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a specific expertise in the interpretation of films, as well as the filmmakers themselves. The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives.
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