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She had her first room of her own - a sunny third-floor studio in one of the larger houses, with a heavy wooden writing table and a hospital-green portable Swiss typewriter.
In the setting summer in 1959, Plath and her complicated husband, Ted Hughes, arrived at Yaddo - the gilded artist’s colony in Saratoga Springs, New York - and took up separate residences a five-minute walk apart. Sylvia Plath (October 27, 1932–February 11, 1963) was twenty-seven and pregnant with her first child, a daughter, when she wrested from mushrooms one - more than one - of the most enchanting metaphors in the history of the imagination. (Available as a print and as stationery cards, benefitting The Nature Conservancy) Mushrooms from “Atlas des Champignons Comestibles et Vénéneux,” 1891. Like everything vast and various, they shimmer with metaphors for life itself. Without them, this planet would not be a world.
Fungi are the mightiest kingdom of life, and the least understood by our science, and the most everlasting. And when we go as individuals, it is they who return our borrowed stardust to the universe, feasting on our mortal flesh to turn it into oak and blackbird, grass and grasshopper. They will inherit it long after we are gone as a species. They were the first to colonize the Earth.
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